Reinoud Van Mechelen graduated from his vocal studies at the Conservatoire Royal in Brussels in the class of Dina Grossberger in 2012. In 2017 he was awarded the prestigious Caecilia Prize as Young Musician of the Year from the union of the Belgian music-press. An acknowledgement from "home" for the artist who managed to establish himself at numerous international stages within his early years of career.
Already in 2007 Reinoud Van Mechelen caught attention at the European Baroque Academy in Ambronay (France) under the baton of Hervé Niquet. In 2011 he was a member of William Christie’s and Paul Agnew’s "Jardin des Voix" and became a regular soloist of Les Arts Florissants subsequently. Guest appeareances with this ensemble made him perform at the Festival d'Aix-en-Provence, the Edinburgh Festival, the Château de Versailles, the Bolshoi Theatre in Moscow, the Royal Albert Hall and the Barbican Centre in London, the Palais des Beaux-Arts in Brussels, the Philharmony and the Opéra Comique in Paris as well as at the Brooklyn Academy of Music in New York.
Many renowned Baroque ensembles such as Collegium Vocale, Collegium Vocale Gent, Le Concert Spirituel, Le Concert d'Astrée, Les Talens Lyriques, Pygmalion, Le Poème Harmonique, B’Rock, Ricercar Consort, Scherzi Musicali, Hespèrion XXI ensured his cooperation.
In 2014 Reinoud Van Mechelen sang the part of the Evangelist in J. S. Bach's Johannes-Passion for the first time in his career with the Royal Liverpool Philharmonic, a part he was singing again this season touring with Les Arts Florissants and at the Concertgebouw Amsterdam with the Royal Concertgebouw Orchestra. The last few seasons have, however, been highlighted by his performances of Rameau’s title-role in Dardanus (Opéra national de Bordeaux) and Zoroastre (on concert-tour to the Festival de Montpellier et Radio-France, the Festival d’Aix-en-Provence, the Festival de Beaune, the Théâtre Royal in Versailles and the Theater an der Wien), both productions with Raphaël Pichon conducting. 2016/17 saw his Zurich Opera debut as Jason in Charpentier's Médée conducted by William Christie. Apart from numerous other commitments, he added further new roles in concert-version to his repertory: Belmonte (The Abduction from the Seraglio) with the Orchestre de Chambre de Paris and Gérald (Lakmé) with the Munich Radio Orchestra.
Besides numerous performances with his own ensemble a nocte temporis, his last two seasons have been highlighted by the jubilee-production celebrating the 30th anniversary of the Concert Spirituel („L'Opéra des Opéras", recorded and released by Alpha Classics) as well as in two international concert-tours with Les Arts Florissants. He also performed the title-role in Rameau’s Pygmalion at the Dijon Opera and made his debuts at the Théâtre royal de la Monnaie (Tamino in Die Zauberflöte) and at the Staatsoper Berlin (Hippolyte in Hippolyte et Aricie under the baton of Sir Simon Rattle).
In 2019/20 he made his role debut as Nadir (Les Pêcheurs de perles) at the Toulon Opera and was also guest at the Staatsoper Berlin (Purcell's King Arthur) and at the Grand Théâtre in Luxembourg (title role in Rameau's Pygmalion). He toured two new releases (by Alpha Classics) with a nocte temporis: Orphée aux enfers by M.A. Charpentier in co-production with Vox Luminis, and Dumesny, haute-contre de Lully, with a nocte temporis appearing for the first time in full orchestra size. The „Dumesny“ album has been awarded the Grand Prix du disque of the Charles Cros Academy and a Diapason d'or, among others.
His plans in 2020/21 include commitments at the'Opéra Comique (Hippolyte in Hippolyte et Aricie, Titon in Titon et l'Aurore by Mondonville), at the Opéra Royal de Wallonie (Pâris in La Belle Hélène), at the Opéra Royal de Versailles (David in David et Jonathas de Charpentier) and at the Opéra de Bordeaux (Rameau program with the Ensemble Pygmalion).
Among the numerous other recordings he has taken part in, let's mention the most recent ones with his ensemble a nocte temporis (by Alpha Classics): Erbame Dich (arias by J. S. Bach), finding unanimous acclaim by the press and receiving both a "Choc" from the monthly magazine Classica („A Bach-recording blessed by the gods“) as well as one of 10 Caecilia-Awards for the best recordings of the year 2016, Clérambault, cantates françaises (2018, "Diapason d'or") and The Dublhinn Gardens.